1,000th Post: Sharing Some Illustrations & Design I've Done

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Dec 3, 2021
5,098
43,341
Pennsylvania & New York
Very nice skills. I really like the book jackets. Do you do non-client work to keep your skills honed? Would love to see if so.
Thank you all for the kind responses.

Years ago in the early '90s, I used to do very distorted nude life drawings several times a week. I would draw at the School of Visual Arts on Tuesday nights, the Salmagundi Club on Thursdays, and do two sessions at the Art Students League on Fridays (one late afternoon, and one evening). I have about eight large sketchbooks filled with these drawings. I suppose they're all interesting to a degree, but only a handful of the drawings out of all of them are gems. I was trying to find a new way of looking at the typical life drawing of a model with a broomstick, etc. So many life drawings look the same with the stool, the stick, sitting in a chair. My drawings are not unlike the André Kertész "Distortions" series of photographs, although I discovered those after I was already doing the warped nudes. I'll try to post some when I get back to the PA house.

When I was a boy, I drew because it was what I did. I didn't know any better. When I began to make my living at art while in my last year of college, it kind of killed my passion for art for art's sake. Because I spent so many hours making my living at it, the last thing I wanted to do in my spare time was make art. My hobbies became my passions. Book collecting, listening to music on my high-end audio system. The life drawings worked for awhile, but, I eventually burned out on that. I wasn't discovering a new angle with what I was doing.

These days, I derive pleasure from problem solving with the art and type for the book covers, or typesetting and making it fit how I want. I try to make the kind of books that I want to look at. I'm immensely proud of the coffee table book I referred to earlier. It married my book collection with interviews by my dear friend with my fave author, printed with stochastic screening for the highest print quality. It was a labour of love (marred only by my misidentification of a dog in a photo that could've been avoided).
 
Dec 3, 2021
5,098
43,341
Pennsylvania & New York
Very nice skills. I really like the book jackets. Do you do non-client work to keep your skills honed? Would love to see if so.
It occurred to me that since I'm in Brooklyn, I can share something that qualifies as non-client work. I'm not sure if it honed my skills, but, I enjoyed doing it very much. Below, is an oil painting I did of Susan's Boston Terrier, Rocco, a few years ago (for her birthday), when the little booger was still alive.

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About two years ago, I did another oil painting of a dog, as a wedding present for two friends of ours (a portrait of their Frenchie, Gordie, after Jean Auguste Dominique Ingres' The Grande Odalisque) which was also fun. I always know I'm onto something if I can make myself laugh. I'll post a couple of photos and give the back story when I have access to my tower computer. He's also no longer with us. I hope my painting portraits of pets isn't the kiss of death for them.
 
It occurred to me that since I'm in Brooklyn, I can share something that qualifies as non-client work. I'm not sure if it honed my skills, but, I enjoyed doing it very much. Below, is an oil painting I did of Susan's Boston Terrier, Rocco, a few years ago (for her birthday), when the little booger was still alive.

View attachment 143261
About two years ago, I did another oil painting of a dog, as a wedding present for two friends of ours (a portrait of their Frenchie, Gordie, after Jean Auguste Dominique Ingres' The Grande Odalisque) which was also fun. I always know I'm onto something if I can make myself laugh. I'll post a couple of photos and give the back story when I have access to my tower computer. He's also no longer with us. I hope my painting portraits of pets isn't the kiss of death for them.
Love it!
 

HawkeyeLinus

Lifer
Oct 16, 2020
5,612
41,222
Iowa
Back in the early 2000s, I was a moderator at the Planet Tony Hawk video game forum. We had something of a tradition there: when a member would reach 1,000 posts (or any of its multiples), he or she would post something special. One member created an animated Flash cartoon with various members playing on the Match Game TV show. He did all of the animation and voices. Another member built an entire website featuring humourous notes and inside jokes related to regulars. It was great fun. The camaraderie was a joy. I was older than most of the members and threw together a quick website featuring photos of me skateboarding in the early '80s before many of them were born (some photos, I've shared here). I've only been at this forum for just under five months, but, I feel I'm among kindred spirits. Many of us share the same passions: pipes, cigars, whisky, coffee, craft beer, and the minutiae involved with each. With this post, I go from being Part of the Furniture to Lifer. I guess I'm committed to being a part of this community. Initially, I was reluctant to post too much identifying personal info because I now have a 9 to 5 job. Too often, you read about people getting fired for stuff they post online. But, it occurred to me that I'm unlikely to post anything so stupid as to warrant getting fired, so why not share some stuff I'm proud of having worked on?

During my freelance illustration career (before it died virtually overnight with the 2008 crash), I painted 4.1 Sports Illustrated magazine covers. The March 20, 1995 Michael Jordan cover was an overnight job. Sports Illustrated's schedule worked like this: the staff worked on the upcoming week's issue on Thursday and Friday. News would come in over the weekend, articles updated. The magazine would be put together on Sunday and Monday. The issue would transmit on Tuesday to the six different printing plants around the country, and issues would be in subscribers' mailboxes by Wednesday. At the time, Michael Jordan had left basketball and was playing baseball. News broke that he was returning to basketball. I got the phone call on Sunday afternoon. Most of the magazine staff was on vacation at a theme park in Florida. The magazine has just been given a Magazine of the Year Award and the publisher was thanking the staff for all their hard work. A skeleton crew was in New York. I went to the office, was given photo reference, and worked on a sketch. I got it approved around 7:30 pm, went home, and started painting, stayed up all night, and delivered the finished acrylic painting on Monday. I made a mistake with a line in the road and imaging fixed it digitally before going to press.

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In late November or early December, I was commissioned to do the Art Modell/Cleveland Browns December 4, 1995 cover. One of the art directors said I might be the only illustrator to have done two covers in the same calendar year for the magazine. The Wednesday that this issue appeared, I got a phone call from a radio station at 9:30 am. I was asleep and groggy when I got the call—I used to keep @JimInks hours back then. I thought it was a joke by one of the magazine's staff, but, it wasn't. It was a two man radio station team and they interviewed me about the cover. I wish I knew what station it was to get a copy of the broadcast.

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I had to repaint the sneakers on Michael Jordan for the March 10, 1997 cover in the office. A fact checker discovered I had been given the wrong reference for the sneakers that were worn in the previous season. I had to fix it, otherwise, they'd get fan mail complaining the wrong sneakers were depicted.

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I include the 2002 Swimsuit Edition cover below because I painted the cigar label to the right of the model and figured that's a nice tie-in with this forum. Plus, I thought most of you wouldn't mind seeing a gal in a bikini.

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I've written about the September 27, 2004, 50th Anniversary Sistine Chapel of Sports cover before in this forum, so, I won't repeat much, other than it took six months to complete, was a double gatefold cover, and is the only illustration for which I've won awards.

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In 2011, the biography of my late friend, Paul Nelson, Everything Is an Afterthought: The Life and Writings of Paul Nelson was published by Fantagraphics Books in Seattle. My friend, Kevin Avery, wrote the bio and edited the collection of Paul's writing in the second half of the book. It was my great honour and pleasure to illustrate the cover and design the entire book. Joel Sherman, of Nat Sherman, was super cool and gave me the "nudge, nudge, wink, wink" okay to recreate the period correct packaging of Cigarettellos that Paul always smoked on the binding of the book. Here's a link to a vid on Flickr of someone at Fantagraphics flipping through the book so that you can see some of the interior design. Paul was one of the only critics to defend Bob Dylan going electric at Newport. He signed the New York Dolls to Mercury. He recorded 47+ hours of interviews with the mystery writer, Ross Macdonald, which didn't didn't see the light of day until ten years after Paul's death (in a book I also designed, featuring my personal book collection).

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Below are a few books I illustrated and designed the dust jackets for—it was a big thrill to do the two Larry Block covers, because I'm a fan and collect his books. These were my nods to the designer, Saul Bass (Anatomy of a Murder movie poster and opening credits fame). The timing for the short story collection (dark grey cover) was amazing. Susan and I had just taken a lock picking class in Brooklyn when I was asked to do the cover. How perfect is that? I scanned the tools from my class to make vector graphics of the tools for the cover.

It was also cool to work on some books of Fuminori Nakamura, as I collect his work as well. I designed the die-cut cover for Cult X, but, didn't do the final mechanical—I was moving at the time and the publisher didn't want to burden me.

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If there's interest, I may add to this thread in the future. I was limited to finding things online to post here as I don't have access to my tearsheets or tower computer that has more work.

Anyway, I'm glad to be a member here and part of the community.
This stuff is incredible! Thought of Anatomy of a Murder before I even read the text!
 

Zero

Lifer
Apr 9, 2021
1,702
12,988
Late to the party. Awesome work and talent. I was skateboarding in the late 70s on a sliver of plastic on wheels, thanks to a Christmas present from an aunt. As the boards grew wider and Pushead's artwork grew on the scene, I became more drawn to the art than skateboarding. I have to ask, did you design " The Curse of the Jade Scorpion"? Again, amazing51FB1Y08H4L._SY445_.jpg work. I'm blown away!51p5GI+sCEL._AC_SY1000_.jpg
 
Dec 3, 2021
5,098
43,341
Pennsylvania & New York
Late to the party. Awesome work and talent. I was skateboarding in the late 70s on a sliver of plastic on wheels, thanks to a Christmas present from an aunt. As the boards grew wider and Pushead's artwork grew on the scene, I became more drawn to the art than skateboarding. I have to ask, did you design " The Curse of the Jade Scorpion"? Again, amazingView attachment 143775 work. I'm blown away!View attachment 143774
In the early, to mid '70s, I had a molded yellow 19" Grentec GT Spoiler, not that different than the board you posted, just shorter and stubbier. I didn't work on the The Curse of the Jade Scorpion packaging, but, I see why you would ask.

Thank you!
 
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